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NOLA Mardi Gras Indians: Super Sunday

Mardi Gras Indians are Black Carnival revelers in New Orleans, Louisiana, who dress up for Mardi Gras in suits influenced by Native Americanceremonial apparel.

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Collectively, their organizations are called “tribes”. There are about 38 tribes. They range in size from half a dozen to several dozen members. The groups are largely independent, but a pair of umbrella organizations loosely coordinate the Uptown Indians and the Downtown Indians.

In addition to Mardi Gras Day, many of the tribes also parade on Saint Joseph’s Day (March 19) and the Sunday nearest to Saint Joseph’s Day (“Super Sunday”). Traditionally, these were the only times Mardi Gras Indians were seen in public in full regalia. The New Orleans Jazz & Heritage Festival began the practice of hiring tribes to appear at the Festival as well. In recent years it has become more common to see Mardi Gras Indians at other festivals and parades in the city.

Notwithstanding the popularity of such activities for tourists and residents alike, the fact remains that the phenomenon of the Mardi Gras Indians reflects both a vital musical history, and an equally vital attempt to express internal social dynamics.

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Super Sunday 2018 Event

The New Orleans Mardi Gras Indian Council has announced official route info and the music lineup for Super Sunday events.

Super Sunday 2018 falls on March 18, the night before St. Joseph’s Day. Mardi Gras Indians from throughout the New Orleans area parade through Uptown, typically beginning around A.L. Davis park. The procession begins around 1 p.m., with a festival in the park beginning at 11 a.m., with food trucks and vendors on surrounding streets. Indians also take to the streets on St. Joseph’s night.

There are two stages with music and appearances from the Hot 8, Stooges and the Troop brass bands, with DJ Captain Charles, DJ Jubilee and DJ Maniac, Gina Brown, Rechell Cook, Lucky Lou and Da Crew, Ree Generation Band, the Young Men Olympians, Lady Buckjumpers, and B.R.W Singing Group.

Council Chief Howard Miller announced the route: from A.L. Davis park at Washington Avenue and LaSalle Street, it moves to Simon Bolivar Avenue, left on Martin Luther King Jr. Boulevard, left on Claiborne Avenue, and left on Washington to return to the park.

History

Mardi Gras Indians have been parading in New Orleans at least since the mid-19th century, possibly before. The history of the Mardi Gras Indians is shrouded in mystery and folklore

In 1740, New Orleans’ Congo Square was a cultural center for African music and dance. New Orleans was more liberal than many Southern cities, and on Sundays African slaves gathered to sing folk songs, play traditional music, and dance. The lively parties were recounted by a Northern observer as being “indescribable..The idea of letting loose and embracing traditional African music and dance is a backbone of the Mardi Gras Indians practice.

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Native American and African American encounters

As a major southern trade port, New Orleans became a cultural melting pot.

During the late 1740s and 1750s, many African slaves fled to the bayous of Louisiana where they encountered Native Americans. Years later, after the Civil War, hundreds of freed slaves joined the U.S. Ninth Cavalry Regiment, also known as Buffalo SoldiersThe Buffalo Soldiers fought, killed, forced and aided the mass removal and relocation of the Plains Indians on the Western Frontier. After returning to New Orleans, many ex-soldiers joined popular Wild West Shows, most notably Buffalo Bill’s Wild West ShowThe show wintered in New Orleans from 1884 to 1885 and was hailed by the Daily Picayune as “the people’s choice”. There was at least one black cowboy on the show, and numerous black cowhands.

On Mardi Gras in 1885, fifty to sixty Plains Indians marched in native dress on the streets of New Orleans. Later that year, the first Mardi Gras Indian gang was formed; the tribe was named “The Creole Wild West” and was most likely composed of members of Buffalo Bill’s Wild West Show, though the “Indian gangs” might predate their appearance in the parades.

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Suits

Mardi Gras Indian suits cost thousands of dollars in materials alone and can weigh upwards of one hundred pounds. A suit usually takes between six and nine months to plan and complete. Each Indian designs and creates his own suit; elaborate bead patches depict meaningful and symbolic scenes. Beads, feathers, and sequins are integral parts of a Mardi Gras Indian suit. Uptown New Orleans tribes tend to have more sculptural and abstract African-inspired suits; downtown tribes have more pictorial suits with heavy Native American influences.

The rituals of these tribes aren’t for sale. In fact, very little profit comes from being a Mardi Gras Indian, but the love of New Orleans and the ancestry it affords is more than enough for the men and women keeping this tradition alive. Dressing up in full regalia to celebrate festivals like Super Sunday is a point of pride for them.

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Parade formation and protocol

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Uptown Mardi Gras Indians Encounter on Mardi Gras Day

The Mardi Gras Indians play various traditional roles. Many blocks ahead of the Indians are plain clothed informants keeping an eye out for any danger. The procession begins with “spyboys,” dressed in light “running suits” that allow them the freedom to move quickly in case of emergency. Next comes the “first flag,” an ornately dressed Indian carrying a token tribe flag. Closest to the “Big Chief” is the “Wildman” who usually carries a symbolic weapon. Finally, there is the “Big Chief.” The “Big Chief” decides where to go and which tribes to meet (or ignore). The entire group is followed by percussionists and revelers.

During the march, the Indians dance and sing traditional songs particular to their gang. They use hodgepodge languages loosely based on different African dialects. The “Big Chief” decides where the group will parade; the parade route is different each time. When two tribes come across each other, they either pass by or meet for a symbolic fight. Each tribe lines up and the “Big Chiefs” taunt each other about their suits and their tribes. The drum beats of the two tribes intertwine, and the face off is complete. Both tribes continue on their way.

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Violence

In the early days of the Indians, Mardi Gras was a day of both reveling and bloodshed. “Masking” and parading was a time to settle grudges. This part of Mardi Gras Indian history is immortalized in James Sugar Boy Crawford’s song, “Jock O Mo” (better known and often covered as “Iko Iko“), based on their taunting chants. However, in the late 1960s, Allison Montana, “Chief of Chiefs”, fought to end violence between the Mardi Gras Indian Tribes. He said, “I was going to make them stop fighting with the gun and the knife and start fighting with the needle and thread.” Today, the Mardi Gras Indians are not plagued by violence; instead they base their fights over the “prettiness” of their suits.

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Tribes of the Mardi Gras Indian Nation

  • 7th Ward Creole Hunters
  • 7th Ward Hard Headers
  • 7th Ward Hunters
  • 9th Ward Hunters
  • Algiers Warriors 1.5
  • Apache Hunters
  • Black Cherokee
  • Black Eagles
  • Black Feather
  • Black Hawk Hunters
  • Black Mohawks
  • Black Seminoles
  • Blackfoot Hunters
  • Burning Spears
  • Carrollton Hunters
  • Cheyenne Hunters
  • Chippewa Hunters
  • Choctaw Hunters
  • Comanche Hunters
  • Congo Nation
  • Creole Osceola
  • Creole Wild West
  • Flaming Arrows
  • Geronimo Hunters
  • Golden Arrows
  • Golden Blades
  • Golden Comanche
  • Golden Eagles
  • Golden Star Hunters
  • Guardians of the Flame
  • Hard Head Hunters
  • Louisiana Star Choctaw Nation
  • Mandingo Warriors
  • Mohawk Hunters
  • Monogram Hunters
  • Morning Star Hunters
  • Northside Skull and Bones Gang
  • Red Hawk Hunters
  • Red Flame Hunters
  • Red White and Blue
  • Seminole Hunters
  • Seminole (Mardi Gras Indian Tribe)
  • Spirit of FiYiYi (aka Fi-Yi-Yi)
  • Trouble Nation
  • Unified Nation
  • Uptown Warriors
  • Washitaw Nation
  • White Cloud Hunters
  • White Eagles
  • Wild Apache
  • Wild Bogacheeta
  • Wild Tchoupitoulas
  • Wild Magnolias
  • Wild Mohicans
  • Yellow Pocahontas
  • Yellow Jackets
  • Young Navaho
  • Young Brave Hunters
  • Young Monogram Hunters
  • Young Cheyenne
  • Young Seminole Hunter

Super Sunday Parade

Start: Mar 18, 2018 12:00 PM

End: Mar 18, 2018 3:00 PM

A. L. Davis Park, Fourth St, New Orleans, LA 70113, USA

An example of a Super Sunday procession is as follows:

Begins at noon in A.L. Davis Park at Washington Avenue and LaSalle Street
Starts on LaSalle
Left at Martin Luther King Blvd
Left at Claiborne
Left at Washington Avenue
Ends back at A.L. Davis Park
The daytime parades make the Indians accessible to the general public and allow visitors and locals alike to admire their amazing costumes, crowns, and accessories. If time permits, make it a point to take part in this very unique New Orleans tradition.

A native of New Orleans, who left her beloved New Orleans to spend twenty years of living in the land of Minnesota Not So Nice. Minnesota was full of opportunities but would learn that the soul of the state and the people who made it was just as icy cold as the temperatures. After the years and my 40th birthday flew by, I decided it was time to pack up my youngest child and come back to my roots, my birthplace the city that not only birthed me but gave me life. I would not be who I am without my New Orleans beginnings. I am all things that would challenge the belief of growing up in New Orleans. I was a 16yr old teen mother of a premature baby born with a severe medical disability. And only With the help of my mother, was it possible for me to BE! I was able to endure and survive the obstacles laid before my child and me. In a city that was built by my family, but did not allow for us to reap the benefits I overcame. Charity Hospital was my second home — a building filled with miracle workers who made it possible for my daughter to have life. I have lived a life of rainy days with peeks of sunshine, that are my children, including those not of my womb. I'm the proud mother of three and a grandmother of three. My dream was to live the life of the nursery rhyme of ”The Old Lady Who lived in a shoe,” and for the most part, I did. I cared for several children over the years as a special needs foster parent. I would learn that my love was not enough for some children, but I loved them through their pain. I'm not sure if I ever had a case of true love or came close to what love looks like on television, but I had my share of men and the mirage of love. I survived two abusive marriages. Though I longed to return to New Orleans on a daily bases, I must admit my move was one of the best decisions made for me. I am a college graduate; I was a successful entrepreneur. I coowned a soul food restaurant and catering company in Minnesota for 12 years. I developed the talent of creating custom cakes after the murder of my beloved cousin Melvin Paul. He survived Katrina only to go to Minneapolis six months later to be murdered over a parking spot dispute. But with the challenge of creating a simple wedding cake, I was able to find healing. I created the House of Cakes in honor of him. Minnesota life had me pretty materialistic. I worked to the point I do not remember much, but work and handing my children love money. I thought by having the big house on the hill, a husband, having a family, the ultimate provider and being involved in all things that matter, plus having the funds to match would cure me of what I was told was a generational curse of lack of everything from money, love to even self-love. But for the most part, that life poisoned my heart and soul. I was blinded by visions fed to me by the media. I was told I wasn't anything unless I was better than the Jones's. I lived being ok with a broken, bleeding heart. Life like this did not exist in my family while living in New Orleans from what I viewed with my eyes and soul. We may not have had all the things I acquired over the years, but we were happy, we were together. Family outside of New Orleans wasn't family anymore. We lived separate lives and had awkward moments when we bumped into each other in public. I hated living in Minnesota even though life their helped me in so many ways. I felt deep down the only way to repair it was to get back to my roots, my soul, my home, myself, my New Orleans. I'm here, and I love it. Even being in the so-called Blighted Area of New Orleans and not having all the financial and material security, I'm happy. I am determined that She, yes, New Orleans is a woman is just like me; together, we will overcome and will rise from all that tried to kill our spirit. Nothing like starting from the bottom and making your way back up!. I just know in my heart that New Orleans will provide for me. There's a bank account with funds in it owed to me by way of back pay for my ancestors. And I will receive my inheritance, and I will continue the traditions and customs of the old to keep the heartbeat of New Orleans beating. I'm down in the boot, living the life that feels right to me awaiting my destiny...

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